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☜☆☞Лучшие ремиксы☜☆☞

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The Kidcrash, Logs. Lately for me, emo has been keeping me busy with some of the most passionate and overall rewarding music I've set my ears to listening. And a lot of that can be credited to a little album called Jokes, by a little band called the Kidcrash. A few years back they released New Ruins, a pleasurable little record that flirted with both Midwest indie-emo, highly technical math rock, and pop-punk. But what was lacking on New Ruins was an overall push, a key feeling of emotion and intensity that can really make the band. This push was goaded into the band with their second release, Jokes.
The first thing to say about Jokes is the overall transformation the band went to create this record. Gone are the charming, almost scenebandesquethatwouldblowawayMotionCitySoundtrack vocals, and are replaced with dense, incredibly passionate screams. Gone is the deadpan, boring rhythm section, and in its place is a frantic explosion of pure technicality and a steady beat that's not hard to follow. On this level, and on this view of the record, they're a totally different band.
But, to an extent, they're not all that different. What can be regarded as kept is the band's technicality. If anything, the technicality is at an entirely new level. The guitarists are jumping off the wall with impressive dynamics that have the energy of a sugar-high nine-year-old. In songs like Life Was Real, Vital, Urgent, Important/Bum Guts, the band can barely keep up with themselves in terms of dynamics. What separates them from most bands is the amount of emotion they put into their playing. I don't think I've seen so much introspection in a band with so much technicality. The dynamics between clean tones and all-out chordal aggression seems so limitless, and it gives them much space to expand and delve further into their chill parts (which are one of the leftovers from New Ruins. And while the parts on this record are much more heartfelt and emotional, there is no denying the ultimate truth of what’s leftover from their Midwest indie days). Rarely does the band carry out a riff too long, and if they do, they change it around by putting it in different keys and tones.
What’s probably the album's meditation is the epic Ron Ghousley's Fucked Up Dream, a heavy dynamic of a song that keeps changing and progressing from heavy to light to technical for over eight beautiful minutes; the band jump from fast-paced technicality, to intense riffing and screaming, to beautiful breakdowns filled with twinkly guitars, all while keeping a passionate cathartic approach that many bands lack. Every piece of instrumentation is right on target, with the band hitting note after note beautifully, and keeping everything lush and on track. The screams are subtle, but overall very effective. They're back in the mix, but the singer seems to be screaming to fight back the slightly sub-par production. As a whole, it's an excellent manifestation of the album.
Freshness is something lacking in today's scene, as bands seem to be overusing boring clichÿs in an attempt to create something of the old days. But alongside bands like Circle Takes the Square, Off Minor and Gospel, the Kidcrash create some of the most refreshing music any scene has ever heard.
Члены группы
Alex John Kevin Buster

The Kidcrash, Logs

Karakondjo. История:
Karakondjo - проект из юга России, основанный в середине 2009 года. Начиналось все с Atmospheric Raw Black Metal, но на данный момент это смесь разновидностей GrindCore, иногда с клавишными сопровождающими, некий Epic Grind Cocktail... Karakondjo не имеет(и не будет иметь) устоявшегося коллектива; на запись, практически, каждого релиза приглашаются новые музыканты, каждый из которых вносит свой вклад. В 2011 году Heretic начал сотрудничество с поэтами Александром Мрачным и Ulv Sveneld'ом. Тематика текстов: традиционализм; национал-социализм; язычество...
Караконджо(от греческого злой дух) - святочные демоны у южных славян, иногда описываются в виде невидимой злой силы - ветер или голос. Выходят в период от рождества до крещения из воды, пещер и нечистых мест. Душат людей, протыкают гребнем, заманивают в воду или обрыв. Нередко караконджо уподобляются вампиру или черту.
Участники:
Heretic; Ulv Sveneld; А. Мрачный
Влияние:
Национал-социализм, язычество, традиционализм
Дискография:
Albums:
2010 - Северный Ветер (DEMO)
2011 - Оплот (DEMO)
2011 - Багряный Блицкриг (TAPE)
Label: Depressive Illusions Records
Тираж: 100
2012 - Багряный Блицкриг (Pro-CD)
Label: NitroAtmosfericum Records
Тираж: 50
Compilations:
2012 - STURM - Black Execution Agressive
Label: Niberu Records
Тираж: 500
2012 - A Tribute to Nordic Scene: Скандинавский Ветер
Label: NitroAtmosfericum Records (CD)
Тираж: 500

Official Selenators. What do you do after striking gold with your first solo album, wrapping your third season starring in a hit series and earning raves for your movie debut? If you're Selena Gomez, you dance. At least, you get the world on its feet with A Year Without Rain. A follow-up to Kiss & Tell, Selena’s gold-certified Hollywood Records debut CD, A Year Without Rain shows Selena and her band, The Scene, in a whole new light, this one pulsating, multicolored and ready for the mirrored ball.
I really wanted something that felt good to perform, but had a techno/dance vibe, Selena says. I wanted something that had meaning and melody, and more empowering lyrics. That’s exactly what she delivers in A Year Without Rain. Working with top producer/songwriters like Tim James & Antonina Armato, Kevin Rudolf, Toby Gad and Jonas Jeberg, Selena kept to a more quickened tempo, exploring themes of love, freedom and the joy of living for the moment.
Selena credits the album’s neo-techno leanings to her 2010 platinum-certified single, ‘Naturally, which pointed the way for her. That track really helped me figure out where I want to be, she says. There’s a feeling when I perform that song that I love, so when I was going back in the studio, I had a better understanding of where I wanted to be musically.
She gets right to it with the opening track, Round & Round, an upbeat synth-driven song about reaching the limits of indecision in love. The plaintive A Year Without Rain may be more subdued, but its beauty impressed Selena enough to make it the title track. When I got the song, I went through the roof, she recalls. Everybody has that one person they can’t live without. It was exactly what I wanted to say. That goes double for the Spanish version of the song, Selena’s first recording in that language.
Having turned 18 this year, Selena has matured since making her professional debut at age 7, but girls still wanna have fun, which is what songs like Spotlight Off the Chain and Summer’s Not Hot are all about. Rock God features none other than Katy Perry on backing vocals, while Intuition boasts a duet between Selena and rapper Eric Bellinger in a tricked-out double-time salute to a positive attitude.
Selena slows things down on Ghost of You, a ravishing ballad about a breakup so rough, no amount of living crazy loud can crush the memory. It’s very beautiful, very raw, Selena says of the song. Shelly Peiken co-wrote it. She knows me, knows about everything I go through, and knows how to express it in a beautiful way.
On the flip side, Selena comes back strong with Sick of You, a Matt Squire-written and produced track about losing a loser (You know fairy tales don’t come true/ Not when it comes to you). The album ends with Live Like There’s No Tomorrow, an epic power ballad expressing the creed by which Selena has built her life and career.
A Dallas native, Selena Gomez started acting at age seven when she landed a role in the popular television series Barney & Friends, on which was a regular for two seasons. She landed her first film role in the 2003 sci-fi action adventure film Spy Kids 3-D: Game Over. She made her mark as an actress playing girl wizard Alex Russo in the hit Disney Channel series Wizards of Waverly Place, which premiered in 2007 and has now completed three seasons. Selena and her cast mates won a 2009 Emmy Award for Outstanding Children’s Program.
Selena then made an indelible impression with her starring role in 2010 comedy Ramona and Beezus. Says Selena, I wanted something completely different from my show. All these incredib

Official Selenators

★★★НАОМИ КЭМПБЕЛЛ★★★. Что нужно знать, чтобы быть супермоделью мирового уровня? Прежде всего, нужно уметь бросать вызывающие взгляды...
НАОМИ окрестили самой стервозной моделью мира. Она же считает себя добрым и терпеливым человеком и мечтает о большой любви. В общем, черная и пушистая...
Мне завидуют Кроуфорд и Шиффер
Наоми Кэмпбелл (Naomi Campbell) родилась 22 мая 1970 года в Стритхэме (Streatham), Южный Лондон (South London), Англия.
Была найдена в парке Covent Garden, в Лондоне, недалеко от своей школы скаутом агентства Elite Бет Болдт (Beth Boldt), когда ей было всего 15 лет.
Когда Наоми было 16 лет, мать отпустила ее на первые съемки в Париж. Моя мать отпустила
меня в Париж на первые фотосъемки только при условии, что за мной будет следить Аззедин Аллайя. Ночью я тайком из-под одеяла звонила приятелю в Нью-Йорк. Аззедин, когда услышал это - у него дома все спят в одной комнате, вместе с собаками - кричал: Наоми, немедленно повесь трубку, не ты за телефон платишь! С тех пор я зову его папой.
Наоми сразу привлекла внимание сильных мира моды своей необычной внешностью. Она стала первой черной моделью, которая появилась на обложке журнала TIME, а также французского и английского VOGUE. В конце 90-х Наоми - одна из самых известных моделей мира; о ней говорят столь часто, что у многих уже начался синдром Наоми. Она является одной из героинь книги Питера Линдберга (Peter Lindbergh) - 10 Women That Shook The World. Наоми открыла Fashion Cafe вместе с Элль Макферсон (Elle Macpherson), Клудией Шиффер (Claudia Schiffer) и Кристи Тарлингтон (Chtisty Turlington).
В 1995 году она дебютировала как певица со
своим первым альбомом - Babywoman, выпущенном звукозаписывающей компанией Epic Records. В Японии ее сингл La, La, La Love Song с японским певцов Тоши (Toshi) достиг первого места в чартах. В это же время Наоми появилась в множестве музыкальных клипов, включая In The Closet Майкла Джексона (Michael Jeckson), режиссером которого, кстати, был Херб Риттс (Herb Ritts) - известный в мире моды фотограф.
Наоми снялась в ряде фильмов - Girl 6 Спайка Ли (Spike Lee), где также снимались Мадонна (Madonna) и Тереза Рэндл (Theresa Randle), An Alan Smithee Film вместе с Сильвестром Сталлоне (Sylvester Stallone), Вуппи Голдберг (Whoppi Goldberg) и Джекки Чаном (Jackie Chan), Miami Rhapsody вместе с Антонио Бандерасом (Antonio Banderas), Сарой Джессикой Паркер (Sarah Jessica Parker), Миа Фэрроу (Mia Farrow) и в фильме Тони Хикокса (Tony Hickox) Invasion of Privacy.
Наоми является соавтором романа Swan, опубликованного издательством Heinemann/Mandarin, а также издала альбом собственных фотографий таких фотографов как
Херб Риттс (Herb Ritts), Стивен Мейзел (Steven Meisel), Ричард Аведон (Richard Avedon), Эллен фон Унверт (Ellen Von Unwerth) и Питер Линдберг (Peter Lindbergh) - Naomi by Naomi Campbell. Все сборы от продажи книги идут в фонд Красного Креста Сомали.

★★★НАОМИ КЭМПБЕЛЛ★★★

Deadnight. BIOGRAPHY
With a new era of thrash metal exploding across the globe, Windy City headbangers DEADNIGHT are taking the genre to a new level with their blackened sound which is rivaled by no other. From their very beginning, their goal was to incorporate the best aspects of black and death metal with old school thrash to create a unique band that doesn’t limit themselves musically. In every song, the listener can expect to hear memorable compositions built on thrashing guitar riffs, melodic guitar passages, and epic guitar solos. DEADNIGHT will continue to push forward musically, without limiting themselves to any single genre.While the catchy guitar leads abound, they aren't exactly pretty melodies ala IN FLAMES. What DEADNIGHT does in terms of melodic guitar is more closely related to what DISSECTION was doing about a decade ago; the guitar leads, while melodic, are distressing and melancholic as opposed to upbeat and harmonious. When they choose to, DEADNIGHT can construct an atmosphere easily comparable to a band like BATHORY. Everything that you would expect from a good Thrash Metal album remains intact. The guitar solos are frighteningly vigorous, and the piercing quality donated by the production does wonders to the haunting ambience. The drum work is equally impressive, with plenty of double bass work abounding. On the opposite end of things, DEADNIGHT can also thrash with the best of them. It would be easiest to think of DEADNIGHT as early KREATOR with a more focussed level of cohesion as well as an added dose of melody and epic-ness, but the music they play is really it's own entity, and one that deserves to be separate from generic genre labels. - Metal Observer “Deadnight creates a twisted, brain-blasting, wall of metal chaos that will leave riff-crazy metalheads in a state of nirvana. Tracks like Burned Alive, Keeper of Souls, Unholy Revenge and Die with Me are tight-as-fuck, blistering assaults packed and overflowing with enough Destruction/Kreator-like riff work to transport you back in time to the mid 80's faster than you can buckle your fucking bullet belt. – SOD Magazine Originally formed by Mastermind Mike in Chicago, Illinois, during the summer of 2003 as a mere two piece studio-project. The first demo In the Dead of Night was recorded and self-released by the end of summer. It was made clear from the very beginning that their goal was to write memorable songs built on thrashing guitar riffs and epic guitar solos. In 2006, a full lineup was assembled and the band spent the following year writing new material and gigging. After the release of their first EP – ”Live in Chicago,” in June 2007, their original drummer quit the band. Following six months of hiatus, Mike and John decided to record their album as a studio two-piece. In Spring of 2008, DEADNIGHT signed a single album record contract with Rotting Corpse Records, who released their album debut, “Messenger of Death.” Soon after the CD release, Jeremy joined the band as their new drummer.Messenger of Death has received excellent reviews in extreme metal magazines across North America and Europe. The song Keeper of Souls was featured in Explicitly Intense Magazine’s Insanity Sampler 19, along with Unleashed and Tyr. In July 2008, DEADNIGHT performed at Central Illinois Metalfest with Suffocation, Monstrosity, Incantation, and Brutal Truth. The band has also played concerts with Hatchet (Metal Blade Records), and Byzantine. DEADNIGHT are vigorously gigging and preparing to launch their second full-length assault in 2009!
Влияние на группу оказали;-
80's - 90's era OLD School Thrash/Death/Black metal:
Sodom, Kreator, Destruction, Dissection, Bathory, Angelcorpse, Tankard, Death, Morbid Angel, Yngwie Malmsteen.
Состав;
Майк-вокал,гитара
Джереми-ударник
Джон-бас-гитара
Том-сессионный ритм-гитарист
Кому интересно вот ссылка на альбом)http://getalbums.ifolder.ru/7429544